Showing posts with label queer pop. Show all posts
Showing posts with label queer pop. Show all posts

21 May 2009

POPFEST! day one: the ballet, my teenage stride, the metric mile, dream bitches, the soft city, and knight school


NYC POPFEST 2009! The Ballet @ the Cake Shop, New York (May 14, 2009)

(This is the first in a series of week-late Popfest reviews. I will try to keep them short, but it is so hard when I had such a great weekend!)

Somewhere between Chicago and New York, it was raining, delaying our flight before take-off for more than an hour. Luckily, I made it to the Cake Shop in plenty of time to catch Knight School kick-off NYC Popfest 2009! Filled with NYC bands, the first night proved to be a great start to a wonderful weekend of music.

I have long been charmed by the cover (featuring many cats) of Knight School’s CDR The Poor and Needy Need to Party released on LostMusic, but I finally ordered it a few months ago and have kept it on frequent rotation since. Buzzy and loud but full of hooks, Knight School certainly fits in with the rest of the NYC pop scene, but there is something uniquely appealing about them. They played a loud and fast set that left my ears ringing for the rest of the night.

The Soft City played a nice set, too, even if it was their first show! They just have one tiny single out on Cloudberry, so I am interested in hearing more. Some videos of their set from Popfest are up now on their Myspace, and I am really enjoying “Capital Soul,” even a week later.

The crowd was definitely into the four heavily tattooed and bobbed girls in Dream Bitches, but something about their style of pop music is a little too much for me. Snotty 90s girl pop is all well and good, but sometimes it just seems so contrived. They sounded and played great, though, so I have no complaints. And it may just have been their last show, which is too bad!

Appropriately, someone called out “The Field Mice!” during The Metric Mile’s set. Certainly, the band sounds very much like The Field Mice, but only in the best ways possible. Soft synth with lush orchestration, they may have been the band I was most pleasantly surprised by for the evening.

That would be, of course, until My Teenage Stride played. I’ve had their album forever, but I don’t listen to it that frequently. What a mistake that is!! They played an energetic set with fantastic pop songs. I guess they’ve been releasing a song a month lately, so that is something I need to check out.

And, finally, The Ballet. I think I am a relatively latecomer to this NYC band, but god knows why—a gay pop band (and there are so few!) with perfectly crafted songs should have found me immediately. They did a really great job of translating their songs live, and it’s always nice to not hear the album replayed for you. They did a great cover of “Take Ecstasy with Me,” appropriate for the NYC-themed evening, and played all of the songs I have come to love over the past few months, “Personal,” “In My Head,” and “Cheating on Your Boyfriend.” They said they are working on a new album now, which is very exciting. They didn’t have the live cello player as has surfaced during previous performances, but that was perfectly fine. They were an absolutely perfect finish to a wonderful first night of pop music.

Download:
Knight School - "Pregnant Again"
Knight School - "Crybaby"

The Soft City - The Soft City
The Soft City - "Wallflower"

The Metric Mile - "Amateurs"
The Metric Mile - "In Praise of Ski Jumpers"

My Teenage Stride - "Ears Like Golden Bats"

The Ballet - "Personal"
The Ballet - "Cheating on Your Boyfriend"

26 January 2009

parenthetical girls - new video, album out


Parenthetical Girls - A Song for Ellie Greenwich

It took me a lot of googling to remember that I first saw the Parenthetical Girls in 2004 opening for Mt. Eerie at what was formerly the Open End Gallery. I must have been a junior in high school, perhaps just learning about indie pop in the form that I know it now. But when I saw the Parenthetical Girls, who had just released their (((GRRRLS))) double-sided vinyl EP released on their own Slender Means Society, something about their brand of off-center, melodramatic, queer pop music struck a chord with me.

The band followed up with the critical acclaimed (and excellent) Safe as Houses LP and maybe even found a bit more notoriety after Casiotone for the Painfully Alone covered their brilliant "Love Connection" on his album Etiquette.

When their new album, Entanglements, came out, people saw it as an entirely different direction for the band. And sure, it IS different, but frontman Zac Pennington still has the same wonderful lyrics with the same awkward pop sense. The quirky instrumentation is abandoned for orchestration. It may not have the same lo-fi qualities as their debut, but just watch the video and somehow all the charms of the band come back.

Download:
The Parenthetical Girls - A Song for Ellie Greenwich